Friday, August 17, 2007

Nina Nastasia

"Nina Nastasia's rare gift of a voice is an intimate, winged presence that is able to either freeze or melt your heart, that can powerfully soar and twist, or brush ultra-gently against you, suddenly summoning goose bumps."



Regretfully I missed this amazing talent when she and drummer Jim White were touring in Australia, but I hope she can return soon because I am completely besotted. From the first sweet, clear notes of I've Been Out Walking to the final deliberate message of I Come After You Nina holds you in a spell of gentle strength. There is an undertone of sadness, or resignation, of no longer believing the fairy tales, but of moving on steadfastly and resolutely despite this. The line in Our Discussion when she sings "I don't believe in the power of love, I don't believe in the wisdom of stone...." speaks volumes of the whole mood of this record. This, to me, is not an album of dreams, but of reality and coming to terms with the changes that reality involves.

Beautifully expressive, honest and intimate, this is an album full of meaning....whatever that may be for you. Musically it is quite sparse showcasing simply Nina's lyrics along with Jim's drumming. However, everything sounds so very deliberate and crafted that it achieves a real depth and impressive impact.
Sometimes murmur quiet and whispery, sometimes loud and fraught with frantic drumming, it takes you through many journeys of emotion and feeling, despite the album's short length of only 33 minutes.

Listen to
Our Discussion.mp3
Late at Night.mp3

Tuesday, August 14, 2007

Jens Lekman

New to me this week, the latest release from Jens Lekman (on Secretly Canadian)



I saw Jens mentioned on another site and was sold by the Magnetic Fields comparison.

This album is swingin', melodic, orchestral pop from someone who seems to be the Swedish darling of the indie pop world. The Magnetic Fields influence is there (on track 1 you will think you're listening to the same voice), but Jens overall seems much lighter and less intense (and perhaps a little less satisfying) than Stephin Merritt. Still, this is good stuff. He even manages to make a break up song sound goddamn upbeat and happy.

Listen to Friday night at the drive-in bingo.mp3 to get ya smiling on this not so smiley Tuesday.

Monday, August 13, 2007

random music news

The Art of Letting Go
Ahead of his upcoming tour Ryan Adams spoke to Brisbane's Courier Mail about the new 'peace' in his life and responds to all those enfant terible descriptions:

"And I guess a 'terrible child', a tempestuous child, to say that about a man, in my opinion, it sounds loaded with bitter jealousy. I work very hard at what I do, and I do a lot of what I do, and I'm actually really quite good at what I do. I dream and I create because I'm a machine built to express art. This is what I made myself into being – an art cockroach. No matter what, I will find my way to the art."

The A-Z of Bob, and other wierd stuff
Random Dylan facts in Melbourne's Age today.

and over the weekend:

R.I.P Tony Wilson

From across the pond comes news that Tony Wilson, the man credited with putting the Manchester music scene on the global map, has died of cancer. Wilson was the founder of Factory Records which was home to Joy Division/New Order and Happy Mondays.

Wednesday, August 8, 2007

A to Z: EAR FARM live show pet hates

Music fans should check out Ear Farm on a regular basis anyway, but if you (like me) have lots of live show pet peeves, then particularly check this entry out.
Seriously funny and so on the money

A taster:
J
Jack asses who stand there the entire time with their arms folded.
It's music. Hello? No, I mean it's MUSIC. So let it move you fucker. Stop standing there like you're looking at art at a museum. I hate you. If the music does nothing more than inspire you to stand there like a snob, how about you do us all a favor and just leave.

Tuesday, August 7, 2007

Editors @ Hi-Fi Bar 03-08-07

In all honesty I'd been a little wary of the Editors since my first exposure to them marketed in bold print as "the new Interpol". Seriously, there is no way to get my back up quicker than using another band's success to sell your own records and if I wanted to listen to Interpol then I'd listen to Interpol....blah blah blah you know where I'm going. Anyway, point of the story is that I had my doubts. I did listen to The Back Room however and although they never really dominated my playlists, they were still a band I put on occasionally in the background.(particularly in my more angsty moments or when I need a bit of airguitar practice) Similarly this year An End has a Start didn't blow me away, but it's something I chill out to now and then. I still have misgivings about the albums I guess, but their live performances (if Friday night was anything to go by) are worth your time. Frontman Tom Smith came out firing on all cylinders with crowdpleaser Bones and didn't let up on the energy for the whole 75 minutes that they played. He was powerful, dramatic and engaging, and a little over the top but you can't deny we got a show. I would have like to have felt that kind of energy from the rest of the band, not just Smith and drummer Ed Lay, but the others did improve as the night went on. (Whether such energy was demanded however on songs which speak of such bleakness and melancholy is another story)


This was the first time Editors had been down to our fair shores, so we heard a good deal of material from both albums, although chiefly from their latest release. There were a few sound issues on some of the slower/ softer songs, but generally they were fairly tight, despite Smith throwing himself all around the stage. The encore was probably the highlight of the night with great renditions of Spider, Smokers outside the Hospital Doors and Fingers in the Factories which had everyone jumping.

The inevitable Ian Curtis/Ian McCulloch comparisons continue with Smith, which I suppose is not totally unjustified, but whilst their whole neo-post-punk sound can sometimes bring those guys to mind, Editors are certainly no Joy Division just yet. Whilst they are a pretty decent and competant band, I think perhaps there is a better band in there (whether we continue to see Coldplay esque ballads return or for the band to grow on the next album will be interesting) To me it feels like they are kind of at a crossroads right now where they could fall into mediocrity or the opposite, time will tell which way is the easiest for them to tumble.

Anyway, am getting off the point. Friday nights gig was great and for me a much needed injection of live music energy. Editors to me are one of those bands that are better to experience than just listen to, so if they're around, get down and check them out. Not a bad way to spend an evening.

Listen to Bones and And End has a Start from their latest album.